Harvey Phillips, 1929-2010

Via Richard Schneider comes word of the passing of Harvey Phillips — tuba virtuoso, pedagogue, and personnel manager for the Symphony of the Air, Leopold Stokowski, and Igor Stravinsky, among many others. Phillips, whose professional career began when he played with the virtuoso Ringling Bros. and Barnum & Bailey Circus Band as a teenager, was also a prolific freelance recording artist with ad hoc ensembles and pickup orchestras.  Indiana University, where Phillips held the tiitle of Distinguished Professor Emeritus, has set up a blog page for tributes and reminiscences by students and colleagues.

UPDATE: Daniel Wakin’s obituary has just been posted to NYTimes.com.

Such a Bargain: Anne Akiko Meyers Outbids World for “Molitor” Strad

ClassicalMusic.org.uk has the details. Meyers laid out $3.6 million for the “Molitor” Stradivarius, which has quite the pedigree of previous ownership — Napoleon, the Curtis Institute (who loaned it to, among others, Henri Temianka), and Elmar Oliveira. Meyers’s first US appearance with the Molitor will be in Pasadena.

NYPhil Gets Morales Boost?

The NY Times reports that the New York Philharmonic has offered its principal clarinet seat, vacant since the retirement of Stanley Drucker, to Philadelphia Orchestra principal Ricardo Morales. Much as I would love to see him with the Philharmonic, his defection would prove another blow to the financially-buffeted Philadelphians.

Bali High

My favorite radio producer for the arts, the indefatigable Gail Wein, writes:

Just a quick note to let you know that my feature on Balinese gamelan will air this Sunday (tomorrow!) on Weekend All Things ConsideredWATC is broadcast on public radio stations around the country, and airs most places from 5-6 pm.  The feature will be archived on npr.org, so you’ll be able to hear it anytime.

Find your local PBS outlet here.

Ensemble ACJW @ Weill Recital Hall

You can catch my full review of last evening’s very enjoyable recital at Classical Source.  ACJW is a chamber ensemble of postgraduate musicians drawn from the program known as The Academy, and is doing for this repertoire what the Verbier Festival does for orchestral music — prtesenting impressive programs with distinctive young talent. If you’re anywhere near Skidmore College or New York City, you should give them a listen.

Gene Gaudette on classical music, cultural politics, political culture, media, and his record labels.