Another giant of the American musical avant garde has died. The NY Times has posted a preliminary obituary. (HT: Daniel Felsenfeld, and Beth Levin on the obit)
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Public Television’s Flagship Station Undermines Good Music
This evening I will be attending the post-gala opening concert of the New York Philharmonic’s “official” season (which I am reviewing for ClassicalSource.com).
In preparation for tonight’s concert, I decided to tune in last night’s broadcast of the Philharmonic’s opening gala on thirteen (WNET-HD, Channel 13 in New York City) via my Time Warner HD cable feed.
Am I the only person who found it infuriating that the video feed was a (poorly) upsampled standard-definition signal?
Worse yet, the audio quality was an embarrassment: radically compressed dynamic range, aggressive employment of limiters that introduced a “breathing effect,” and an ugly string timbre that bore no resemblance to Philharmonic.
But it came as no surprise. Last night’s botch job was typical of the poor quality thirteen has been foisting on viewers as “quality programming” for well over a decade.
Memo to PBS: if you’re going to broadcast or videotape a Lincoln Center event, at least spring for the gear to give us a real HD signal. And I’ll be the first to admit that Avery Fisher Hall is nightmare audio recording/broadcast venue, but there is NO excuse for crappy sound. I have not seen any Live from Lincoln Center events outside of New York City on a decent home theater system, so I can’t be certain as to which knob-twiddler(s) in the audio chain might be the culprit(s) — PBS’s remote team, thirteen, or Time Warner — but I would venture a guess that no one is innocent, but some are more guilty than others.
So here’s a little unsolicited advice for all concerned: fix it. And here’s some news for PBS and thirteen: music lovers DO have the brains to lower the volume before the music begins so that something resembling a realistic dynamic range eMerges from their speaker(s). Maybe you should send your broadcast producers and engineers to NHK in Japan or BR and WDR in Germany to see and hear televised classical music done right. Something has to be done, because the present status quo is not only an insult to your viewers but the music and artists.
Mary Allin Travers, 1936-2009
Sad news: folk singer and social activist Mary Travers died earlier today in Danbury. The New York Times has already posted an obituary filled with interesting quotes and comments from friends and musical associates.
Long overdue, well worth the wait
Violinist Rachel Barton Pine makes her New York recital debut
Rachel Barton Pine made her long overdue New York recital debut this evening at Symphony Space, in a program featuring works by Pisendel, Mendelssohn, Corigliano and Liszt with pianist Matthew Hagle. It was one of the finest recital programs I’ve seen in a very long time.
Verdi on the beach
The Inky‘s David Patrick Stearns reports on an unlikely performance of the Verdi Requiem in New Jersey. I’d add that the Great Auditorium in Ocean Grove also sports one of the most interesting and impressive sounding organs on the East Coast. (Hat tip: Elliott Forrest.)
Composing for an Unexpected Target Audience
Here is a fascinating article for those interested in the nexus of music and the mind: NPR delves into copmpositions written especially for the enjoyment of monkeys.
Wish I’d said that!
Your Monday Morning laugh: Salon‘s Glenn Greenwald calls for a panel of America’s political and media royalty to “bash affirmative action and talk about how vitally important it is that the U.S. remain a Great Meritocracy.”
Joke Line, Choking on Sausage
Via Athenae comes this delightful tale of Alpha Villager Joe Klein, a.k.a. Joke Line, choking on his sausage while ranting about Wikipedia and Salon‘s Glenn Greenwald. The entire tale made my Sunday morning — and if you can’t stand the quality of political coverage in the “traditional” American press or the sycophantic antics of Beltway journo insiders, prepare yourself for a treat.
Abe Torchinsky, 1920-2009
Via Richard Schneider and John Charles Thomas comes the sad news of another prominent American instrumentalist’s passing: Abe Torchinsky, most well known as the Philadelphia Orchestra’s tuba player from 1949 to 1972. He also played with the NBC Symphony Orchestra from 1946 to 1949. The Philadelphia Inquirer has just posted a link for a pending full obituary.
It’s All in the Timing…
Another of those wonderful, massive New York City thunderstorms is under way. It started ratcheting itself as the quietest point in Liszt’s Les Preludes (the 1937 Polydor recording by the Berlin Philharmonic conducted by Paul van Kempen, released in a very good transfer on Tahra) was playing on the stereo. The storm added gratuitous but welcome special effects, showing that once in a while these sonic juxtapositions are serendipitous.