Hammer of the Gods: Vänskä / Minnesota Orchestra @ Carnegie Hall

Okay, so it wasn’t a hammer, but a sword — and it was only on loan from one of the gods. I’m referring to the weapon which plays a singing role in the final movement of Sibelius’s “Kullervo.” My review of last night’s concert has just gone live at Classical Source.

Kronos 25

Go read Steve Smith’s interesting NY Times feature on the Kronos Quartet — an ensemble whose revolutionary programming and concertizing laid much of the groundwork for the “alternative classics” championed by Bang on a Can, Absolut Ensemble and innumerable other adventurous ensembles and series — as they celebrate their 25th anniversary. To be honest, though, the more traditonal but often more daring Arditti Quartet deserves the same amount of ink.

Mom, Apple Pie, Baseball, and Mass Transit

I couldn’t agree more:

[H]ere the problem is that merely being located in the United States of America isn’t good enough to pass the inane identity politics litmus tests of the contemporary right—New York City isn’t America (except for purposes of exploiting 9/11 on behalf of torture and aggressive war) nor are Boston, Chicago, Philadelphia, DC, etc “really” American. So therefore mass transit is un-American and therefore it’s socialist, so it follows that anyone who wants to build mass transit is doing so out of socialistic hatred for the United States.
— Matthew Yglesias

Read the rest here. (Hat tip: Atrios.)

For the record, I use regional mass transit for about 80% of my local commuting and travel, a bicycle for about 15% more, and a car for the rest. It also merits mention that much of the anti-mass-transit agenda can be traced directly back to the national effect of policies enacted by the enormously influential Robert Moses in the mid-20th century; his closer-than-previously-known ties to both the automotive and petrofuel industires are at last being examined by historians.

Gene Gaudette on classical music, cultural politics, political culture, media, and his record labels.